1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),   Related Paintings of Henri de toulouse-lautrec :. | Justine Dieuhl | Having dinner together | Equestrienne | The Toilette | Interior in the Rue des Moulins |
Related Artists:
BONSIGNORI, Francesco
Italian painter, Veronese school (b. 1455, Verona, d. 1519, Caldiero) Italian painter. His father, Albertus Bonsignori, was reputedly an amateur painter; and besides Francesco, the oldest and most talented of his children, three other sons, including Bernardino (c. 1476-c. 1520) and Girolamo (b c. 1479), are also recorded as painters. Barely 20 paintings and fewer than a dozen drawings have been attributed to Francesco Bonsignori.
COXCIE, Raphael
Flemish painter (b. 1540, Mechelen, d. 1616, Brussels).
Frank Bernard Dicksee
(b. London, 27 November 1853 - 17 October 1928) was an English Victorian painter and illustrator, best known for his pictures of dramatic historical and legendary scenes. He also was a noted painter of portraits of fashionable women, which helped to bring him success in his own time. Dicksee's father, Thomas Dicksee, was a painter who taught Frank as well as his brother Herbert and his sister Margaret from a young age. Dicksee enrolled in the Royal Academy in 1870 and achieved early success. He was elected to the Academy in 1891 and became its President in 1924. He was knighted in 1925, and named to the Royal Victorian Order by King George V in 1927. Dicksee painted the piece 'The Funeral of a Viking' in 1893, which now resides in Manchester City Art Gallery, having been there since 1928 when it was presented by Arthur Burton ESQ in memory of his mother to the Corporation of Manchester. Victorian critics gave it both positive and negative reviews, for its perfection as a showpiece and for its dramatic and somewhat staged setting, respectively. The painting was used by Swedish Viking/Black metal band Bathory for the cover of their 1990 album, Hammerheart.